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Old 12-23-20, 03:22 PM
  #15  
jPrichard10 
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Originally Posted by Elbeinlaw
jPrichardJr: I don't work on bicycle frames, but I make this kind of decision on "bargain" stringed instruments. Here's my decision tree.
  • If it's a really valuable thing, or if it has sentimental value or "cool" value and I can spend the money, then I'll pay the money to have someone else repair it.
  • If I'm teaching myself how to do particular skills (like metalworking), then I'll write the thing off in my head and give the repair a try--figuring, if I screw it up, well, it was already dead.
  • If either of the first two conditions fail, no matter how good a deal it is, no matter what the balance of value-as-repaired and cost to repair is, I walk away fast and never look back.
When I've ignored that rubrick, it causes me untold heartache. When I'm on the second tranche--learning new skills--it's always worthwhile even if the repair fails. Invariably I find myself using those skills I learned, later on another project.

You're reminding me of why I held onto it: free practice. It's not a particularly rare frame (although I see fewer and fewer of any pre-1984 Treks) but it would be something special if I ever learned to braze myself and could have some fun with it.
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