Why is there more love for Italian Steel bikes?
#76
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This (including the parts I didn't quote) is a very interesting analysis. I have a sense that part of the popularity of Italian bikes is that, apart from Bianchis of a certain period, there just aren't low-end Italian bikes. I'm sure there are some, maybe more than I realize, but that's at least not the impression I have of them, and for the purposes of this discussion perception is everything.
But there are a lot of Italian names that produce only high end, such as Pinarello. And there are reasons for that. One is the labor laws. It's hard to fire someone legally there or even lay someone off. So you have to hire carefully. This makes it hard to grow from a workshop to a big company. This led to proliferation of many very good workshops. They are the subject of admiration.
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#77
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Not exactly.. I wanted to respond to the thread, generally, as my old love for my Ron Cooper, and admiration for that blue Mooney wanted an outlet... thx for the opening.
Cheers, Eric
All in good spirit, one hopes... This comes down to opinions. Even if wrong...
Cheers, Eric
All in good spirit, one hopes... This comes down to opinions. Even if wrong...
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#78
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While this generally accurate, there are qualifications when examined in the context of the post boom, American market. If we look pro road race results for the decade immediately post boom (i,e. 1975-1984) we find Peugeot with 2 Tour de France victories, Raleigh with 1 Tour de France victory and 2 World Championships, and Gitane with 7 Tour de France victories and 1 World Championship. These are arguably the two highest profile events for American cyclists, so with 13 out of a possible 20 victories (and 10 out of 10 TdF), where are all the high end Peugeot, Raleigh and Gitane from this period?
As I stated previously, there was a major shift in the buying pattern of the high end cyclist during the post boom era. They didn't want to be seen on the same brand as the entry models that their neighbours rode. They wanted something that set them apart and made them better. The smaller Italian brands offered that. They weren't widely distributed, they didn't bother with the entry level and they were expensive. If you dug, the racing heritage was there, though often buried in less prestigious victories or under other brand names. This made them exotic and desirable to high end, American cyclists, who wanted to set themselves apart from the typical bicycle rider.
The big victories still sold entry level and, to some extent, mid-range models in the post boom American market but the high end market had made a major shift away from the full range brands. The status of an boutique marque was now more important than several recent major race victories.
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Vintage, steel Italian bicycles are sexy. With apologies to @RobbieTunes, Cinelli trumps Ironman as far as sex appeal goes.
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If someone tells you that you have enough bicycles and you don't need any more, stop talking to them. You don't need that kind of negativity in your life.
If someone tells you that you have enough bicycles and you don't need any more, stop talking to them. You don't need that kind of negativity in your life.
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#80
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Italian Transportation bicycles were just not exported , you had the Bicycle 'as sport',
but People get in the car for transportation issue in the US
because much of the country was built around the car , But Italy had been built up millennia before cars..
but People get in the car for transportation issue in the US
because much of the country was built around the car , But Italy had been built up millennia before cars..
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#81
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They look like what we expect race bikes ought to look like.
They instantly evoke nostalgia for simpler times, when cycling didn't focus on marketing of plastic bikes to plastic people.
They have old-world craftsmanship, and are made by people that know what they are doing.
They work properly, for thousands of miles.
They're durable without being overweight.
They ride beautifully, without beating up the rider.
They have fast handling, but are not twitchy.
They often have stunning graphics and paint jobs - but in all honesty, the paint quality really sucks.
They tend to hold their value over time.
They instantly evoke nostalgia for simpler times, when cycling didn't focus on marketing of plastic bikes to plastic people.
They have old-world craftsmanship, and are made by people that know what they are doing.
They work properly, for thousands of miles.
They're durable without being overweight.
They ride beautifully, without beating up the rider.
They have fast handling, but are not twitchy.
They often have stunning graphics and paint jobs - but in all honesty, the paint quality really sucks.
They tend to hold their value over time.
The other two bolded sentences are interesting to me because they are a theme in this 4 page long thread and its a bit of funny irony to me. There is a continually stated view that Italian brands had excellent craftsmanship and attention to detail. Then there is also a continually stated view that the paint and decals are woefully inferior and of poor quality. Further, you have a poster who compliments the attention to detail the framebuilders gave while commenting that excess braze was them working too fast and justified it as more 'smart structurally' while calling the finish work 'indifferent'.
Its all just funny to me when read as 4 straight pages of views.
So a summary of old Italian bike brands in one sentence based on this thread would be- Excellent craftsmanship that results in low quality paint and sometimes poor finish work.
#82
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...behind the tools.
Last edited by mstateglfr; 07-22-20 at 01:41 PM.
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#84
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The Bike Boom had them selling them as fast as they could get them out the door.. QC did suffer..
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The Olympics was, at the time an amateur race. By that time Pinarello was sponsoring pro teams Battaglin had won the Vuelta a Espana and Giro d'Italia in 1981 riding a Pinarello for the Inoxpran team and an amateur victory, even at the Olympics, just didn't have the same stature. The Europeans looked upon amateur cycling almost the same way that Americans regarded Olympic basketball before professionals were allowed to compete - a 2nd rate affair.
Also, the factory was not directly involved with the sponsorship, with the deal having done between between Giorgio Andretta of GIta Sporting Goods and Doug Beeler of Denver Spoke. Pinarello didn't even have anything to do with the creation of the widely recognized and copied paint scheme. Pinarello was at arm's length from everything.
Finally, Pinarello weren't weren't able get their hands on the actual bicycle, after it won the gold medal.
However, it was a big very deal in the USA and was responsible for a significant rise in the sales and status of Pinarello in the USA. Gita heavily promoted the gold medal victory in cycling magazines and the Smithsonian even acquired the bicycle. Still, the factory wasn't immune to the status of the Olympic victory, including it on then palmares decal, displayed in a visually prominent position on the down tube, just above then shift levers.
Yes, there were. Another factor was the issue of the CONI manual. If you wanted to compete in the 1970s but didn't have access to a coach, the CONI manual was just about the only resource available and it quickly attained Biblical status. Produced by the Italian federation, its depth and approach impressed novice racers. That and its bias towards Italian equipment probably led many readers to aspire to Italian bicycles.
Arguably, the Japanese brand with the best high end reputation in the early 1980s was Miyata. That was to be expected, given that supplied a couple of European pro teams via Koga-Miyata.
Last edited by T-Mar; 07-22-20 at 01:44 PM.
#86
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I have a feeling that the high-end Campy/Columbus/Italian frame stuff that some of the Japanese companies engaged in was partly for their domestic market. Wealthy Japanese cyclists loved themselves custom-made Italian bikes, and you saw companies like Bridgestone and Miyata offering high-end custom frames for their domestic markets likely to compete for the high-end market.
One of the funnier things I've read (it might have been on Disraeli Gears) is the complete difference in reputation for Bridgestone bicycles between the West and East (where they were pretty much their version of Trek/Specialized/Cannondale - good quality but not "interesting").
Speaking of Columbus, I remember some European framebuilders switching from Reynolds 531 to Columbus to sell in America, specifically because Columbus had a "fancier" reputation than 531, and American consumers expected it on a top-of-the-line bike.
One of the funnier things I've read (it might have been on Disraeli Gears) is the complete difference in reputation for Bridgestone bicycles between the West and East (where they were pretty much their version of Trek/Specialized/Cannondale - good quality but not "interesting").
Speaking of Columbus, I remember some European framebuilders switching from Reynolds 531 to Columbus to sell in America, specifically because Columbus had a "fancier" reputation than 531, and American consumers expected it on a top-of-the-line bike.
Last edited by sheddle; 07-22-20 at 02:44 PM.
#87
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...One of the funnier things I've read (it might have been on Disraeli Gears) is the complete difference in reputation for Bridgestone bicycles between the West and East (where they were pretty much their version of Trek/Specialized/Cannondale - good quality but not "interesting")....
Last edited by T-Mar; 07-22-20 at 03:11 PM.
#88
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I distinctly remember thinking it was funny that Grant was extolling steel in catalogs just a year after they were selling Bridgestone RADACs here.
#89
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There is a video on youtube of someone having a talk with Luigi Daccordi at his factory. He's there patiently talking to the person filming (nobody particularly important), messing around with his shirt off and at one point lovingly stroking one of his frames as if it were his 10 year old dog sitting on his lap. There is true love there, even after all these years, and it's hard to imagine something like that anywhere else...
Quite the contrary. We could start another thread on this, but generally what comes out of their mouth is better than what you get from the Bud Lite crowd...
Ducati, Ferrari, Aprilia and Alfa still believe! Plus Lancia before that with some of the most iconic and beautiful rally cars of all time
I think you forgot the winkey face emoji. Last time I checked, Porsche haven't even shown their faces on a Sunday (on an F1 starting grid) for years. And while their street cars are fine for "gentleman racers" and more affordable than most Ferraris, nobody would rate them over Ferrari for looks or driving experience.
I think you forgot the winkey face emoji. Last time I checked, Porsche haven't even shown their faces on a Sunday (on an F1 starting grid) for years. And while their street cars are fine for "gentleman racers" and more affordable than most Ferraris, nobody would rate them over Ferrari for looks or driving experience.
#90
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The 550 Spyder is quite frankly on the top of the heap.
Ferrari hasn't done jack squat at Le Mans since the mid-60s. And my favorite race story is from Jackie Ickx. "Asked by a beautiful woman at a party, what was the fastest I drove, I replied, '230mph in my Ferrari on the Mulsanne straight at Le Mans'. What I failed to tell her I was being passed by a Porsche 917 going 240mph."
Ferrari F1 this year is looking quite sad.
And to round it off, the 308. Enough said.
Not saying Porsche didn't dredge up dreck over the years, just saying it isn't them or us like boys being boys will do.
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#91
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The Italians figured out the classic racing frame geometry, which everyone else eventually copied. Also, Campagnolo components ruled the racing world for decades (everyone ended up copying those as well), so those two factors give Italian racing bikes more prestige. But if you want a classic tourer or sport rider or city bike, then it's French or English for sure.
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Most bicycle manufacturers, once they opened their USA divisions, hired local designers to tailor the bicycles for the American market. Consequently, models could vary from market to market. The "interesting" designs for American market Bridgestone are probably those attributable to designer Grant Peterson. I wouldn't say Bridgestone was conservative prior to Grant, but they went to whole different level, once Grant took over the designer's chair.
Ben Lawee was a savvy importer- italvega then univega - well specified bikes.
in Southern California, about the time Centurion got going well, Alan Goldsmith of Bikeology brought out his private label to his shops, at least in SoCal, Niko, just after I typed that, Nico? About specified as well as a Centurion, good colors, color matched bar tape, saddle and cable housing. The bikes looked snappy. For a time some winners. He later sold off most of the shops, opened a SuperGo branded shop and converted his flagship store to that as the half dozed Bikeology shops he sold, mostly individually were not keeping up a good reputation.
an interesting strategy. Overall he did well, sold off his big store to Performance and had fun.
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Should have mentioned- in Southern California for a time within less than a mile it was bike shop war.
Sea Schwinn
superGo
Two wheel transit
performance
and another shop - name escapes me- well run
all near Warner and Magnolia.
LA times when it had a circulation of over a million daily wrote a multi page article even.
twowheel got killed eventually- custom built store too.
They had moved from Downtown Huntington Beach - Jax cycle center took their old spot- inherited their customers.
in one regard it was understandable - the old shop was too close to the beach- no customers on the water.
but had been a shop there for 50+ years. Was the bike barn prior.
Sea Schwinn
superGo
Two wheel transit
performance
and another shop - name escapes me- well run
all near Warner and Magnolia.
LA times when it had a circulation of over a million daily wrote a multi page article even.
twowheel got killed eventually- custom built store too.
They had moved from Downtown Huntington Beach - Jax cycle center took their old spot- inherited their customers.
in one regard it was understandable - the old shop was too close to the beach- no customers on the water.
but had been a shop there for 50+ years. Was the bike barn prior.
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#94
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Vintage, steel Italian bicycles are sexy. With apologies to @RobbieTunes, Cinelli trumps Ironman as far as sex appeal goes.
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Vintage, steel Italian bicycles are sexy. With apologies to @RobbieTunes, Cinelli trumps Ironman as far as sex appeal goes.
They know what you're there after.
Last edited by RobbieTunes; 07-23-20 at 12:35 PM.
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#96
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And nobody cares about Le Mans anymore. F1 has always been the pinnacle, and Ferrari have always been there. Sure, there have been some less than impressive years, including 2020, but no other manufacturer has such a direct link between what is built to race and what is built to drive on the streets. The brand is unique and special, no matter how many yuppie jerks try to ruin it by buying their cars to drive a few miles to the golf course or nightclub.
Getting back to this year, people in Italy are up in arms about Ferrari's F1 form, which brings us back (closer) to the original topic. In what other country is the F1 team such a deep symbol of national pride?
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I don't doubt that you have good taste in bikes, but if you (or any human being) would prefer a 550 Spyder over a 250 GT California, you need to see some doctors. First and eye doctor, and then maybe a head doctor depending what happens during your first visit.
And nobody cares about Le Mans anymore. F1 has always been the pinnacle, and Ferrari have always been there. Sure, there have been some less than impressive years, including 2020, but no other manufacturer has such a direct link between what is built to race and what is built to drive on the streets. The brand is unique and special, no matter how many yuppie jerks try to ruin it by buying their cars to drive a few miles to the golf course or nightclub.
Getting back to this year, people in Italy are up in arms about Ferrari's F1 form, which brings us back (closer) to the original topic. In what other country is the F1 team such a deep symbol of national pride?
And nobody cares about Le Mans anymore. F1 has always been the pinnacle, and Ferrari have always been there. Sure, there have been some less than impressive years, including 2020, but no other manufacturer has such a direct link between what is built to race and what is built to drive on the streets. The brand is unique and special, no matter how many yuppie jerks try to ruin it by buying their cars to drive a few miles to the golf course or nightclub.
Getting back to this year, people in Italy are up in arms about Ferrari's F1 form, which brings us back (closer) to the original topic. In what other country is the F1 team such a deep symbol of national pride?
And you haven't come up with anything for the 308 (not that you could).
I'm off to the doctor's office ....
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And no excuses. Nobody, or no company, is perfect. But, as I said, Porsche hasn't had the guts to show up on an F1 grid for how many decades now? That's game set and match for me.
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As to the original question, I think some have covered the reasons why well enough already, some rational, some not so much.
All I know is, I still can't believe I get to ride this bike.
Ride 'em if ya got 'em.
All I know is, I still can't believe I get to ride this bike.
Ride 'em if ya got 'em.
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What's the problem with the 308, exactly? Too slow for you? Too many guys driving them with Hawaiian shirts on?
And no excuses. Nobody, or no company, is perfect. But, as I said, Porsche hasn't had the guts to show up on an F1 grid for how many decades now? That's game set and match for me.
And no excuses. Nobody, or no company, is perfect. But, as I said, Porsche hasn't had the guts to show up on an F1 grid for how many decades now? That's game set and match for me.
Porsche was effectively never an F1 player. Nothing to disagree about there. Enzo rolled on everything except F1 how many decades ago? Not surprising though. What's F1 budget now? $500 million?