The most underrated vintage bikes?
#26
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I hate that "underrated" thing... who's rating?
I do know that Schwinns are greatly disrespected. There's people that can honestly not think of any Schwinn as only a 60 pound gas pipe tank.
I do know that Schwinns are greatly disrespected. There's people that can honestly not think of any Schwinn as only a 60 pound gas pipe tank.
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"But hey, always love to hear from opinionated amateurs." -says some guy to Mr. Marshall.
Commence to jigglin’ huh?!?!
"But hey, always love to hear from opinionated amateurs." -says some guy to Mr. Marshall.
#27
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As heavy as they are, electroforged Schwinn bikes really were engineered well. Getting a derailleur equipped bike durable enough for kids/consumer use is by no means a simple problem.
#28
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This, all freakin' day long. I'm always amazed/thrilled at how little it can cost to land a really well-made handbuilt frame from one of the lesser-known US builders. Then I'm always amazed/depressed/traumatized at how little I can get when I try to sell one. I understand few ever heard of them, and so they are therefore seldom dream/grail/nostalgia buys for anybody. Obscurity is not the kind of rarity that brings high prices. Great when you're buying, crappy on the other end.
You can add a few smaller, semi-production builders to the mix as well.
It's the fundamental equation that bothers me. You have very skilled builders, often with hundreds/+ frames under their belts, building frames one at a time, with much more care and attention than can be done on a production line. Yet clean factory production frames, granted some of them iconic, can sell for lots more. Or the used small-volume frames/bikes sell for a much lower percentage of original price than factory/production frames/completes.
On one level I totally get it, but on another level I just can't wrap my brain around it.
There are also apparently sellers more stubborn than me, who keep relisting stuff like this at prices they think/hope it's worth, but nobody's buying.
The US builder list could be exhaustive, from my own experience I've bought/ridden/sold/kept:
Walter Croll: first only Croll himself, then sold to a small group of builders after some drama
Davidson: small group of builders; Impulse are tight/racy, Navigator are sport-tour, with better tire clearance
Giuseppe Marinoni: well, Canada, but Marinoni's built heaps o' frames, and they seldom sell for big $$$
Bernie Mikkelsen: very prolific, Bernies built thousands of frames since the '70s
Peter Mooney: current/recent frames are very elaborate, but '70s-'80s stuff not so much, with lower prices
Dave Moulton/Fuso: high asking prices, low-ish actual selling prices, when they sell
Serotta: maybe a stretch, but phenomenal builders went through there, and earlier frames aren't pricey
Spectrum/Kellogg: 21st-century bikes sell high, but '80s-era not so much
Ron Stout
Rob Stowe/Phase 3
Waterford: I have a W'ford connection and am biased, but even relatively recent W'fords can sell for a fraction of new pricing
I don't know a lot about one-man British builders, but there are smaller-volume British brands that are often overlooked. Bob Jacksons often seem to get good prices, probably because so many were imported in the '70s-'80s and so in a lot of catalogs. Not so much for:
Holdsworth
Mercian: still in business, you can still order yourself a new one; recent ones can still bring some dollars, but older ones can be relative bargains
MKM
Chas. Roberts
Woodrup
As for Italian, oy vey. My nephew is stationed in Italy now, got a hankering for "an Erioca bike," and was texting me photos of the affordable stuff in his local shops, near Vincenza. So many Italian names I never, ever heard of, on really nice-looking frames. Some small builders, some major brands I had never heard of.
You can add a few smaller, semi-production builders to the mix as well.
It's the fundamental equation that bothers me. You have very skilled builders, often with hundreds/+ frames under their belts, building frames one at a time, with much more care and attention than can be done on a production line. Yet clean factory production frames, granted some of them iconic, can sell for lots more. Or the used small-volume frames/bikes sell for a much lower percentage of original price than factory/production frames/completes.
On one level I totally get it, but on another level I just can't wrap my brain around it.
There are also apparently sellers more stubborn than me, who keep relisting stuff like this at prices they think/hope it's worth, but nobody's buying.
The US builder list could be exhaustive, from my own experience I've bought/ridden/sold/kept:
Walter Croll: first only Croll himself, then sold to a small group of builders after some drama
Davidson: small group of builders; Impulse are tight/racy, Navigator are sport-tour, with better tire clearance
Giuseppe Marinoni: well, Canada, but Marinoni's built heaps o' frames, and they seldom sell for big $$$
Bernie Mikkelsen: very prolific, Bernies built thousands of frames since the '70s
Peter Mooney: current/recent frames are very elaborate, but '70s-'80s stuff not so much, with lower prices
Dave Moulton/Fuso: high asking prices, low-ish actual selling prices, when they sell
Serotta: maybe a stretch, but phenomenal builders went through there, and earlier frames aren't pricey
Spectrum/Kellogg: 21st-century bikes sell high, but '80s-era not so much
Ron Stout
Rob Stowe/Phase 3
Waterford: I have a W'ford connection and am biased, but even relatively recent W'fords can sell for a fraction of new pricing
I don't know a lot about one-man British builders, but there are smaller-volume British brands that are often overlooked. Bob Jacksons often seem to get good prices, probably because so many were imported in the '70s-'80s and so in a lot of catalogs. Not so much for:
Holdsworth
Mercian: still in business, you can still order yourself a new one; recent ones can still bring some dollars, but older ones can be relative bargains
MKM
Chas. Roberts
Woodrup
As for Italian, oy vey. My nephew is stationed in Italy now, got a hankering for "an Erioca bike," and was texting me photos of the affordable stuff in his local shops, near Vincenza. So many Italian names I never, ever heard of, on really nice-looking frames. Some small builders, some major brands I had never heard of.
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#29
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Someone's actually selling a full-531 MKM for $300 here- Shimano Crane rear mech too. Gorgeous looking lugs on it, I'd get it if I had space for another bike.
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The lugged frame Free Spirits. I have no idea what year those were made. Why does every one hate them? I have thousands of around town miles on mine. Never have replaced anything other then chain tire and tubes. Maybe I was lucky and got the only good one made. For pavement it rides decent. Definitely not as nice as my fuji though.
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#32
52psi
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When it came time to choose between them I sold my Chicago-built Paramount and kept my Panasonic-built Volare. Not necessarily the same species as the mid/late 80s models, though I've had a couple of those as well.
Underrated? Count me in for those Japanese Schwinns.
Underrated? Count me in for those Japanese Schwinns.
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A race bike in any era is a highly personal choice that at its "best" balances the requirements of fit, weight, handling, durability and cost tempered by the willingness to toss it and oneself down the pavement at considerable speed. ~Bandera
A race bike in any era is a highly personal choice that at its "best" balances the requirements of fit, weight, handling, durability and cost tempered by the willingness to toss it and oneself down the pavement at considerable speed. ~Bandera
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#34
Ride, Wrench, Swap, Race
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The ~1980 Japanese-built Bianchi Super.
Un-branded DB CrMo tubing but rather light, and the geometry was pure upright Italian race bike.
Seemingly the Japanese equivalent of the Italian-built Nuovo Racing model from ~1982.
Componentry was Arabesque 600 but with Gran-Compe Italian-looking brakes.
These came fitted with rather short stems, and the less-great, early 6s freehub, but other than that...
My 1990's Mondonico-built Masi is another stellar performer, as is my Davidson Impulse.
Un-branded DB CrMo tubing but rather light, and the geometry was pure upright Italian race bike.
Seemingly the Japanese equivalent of the Italian-built Nuovo Racing model from ~1982.
Componentry was Arabesque 600 but with Gran-Compe Italian-looking brakes.
These came fitted with rather short stems, and the less-great, early 6s freehub, but other than that...
My 1990's Mondonico-built Masi is another stellar performer, as is my Davidson Impulse.
Last edited by dddd; 08-16-20 at 12:42 PM.
#35
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I have been working with rigid frame 80's mtn bikes lately converting them into city utility bikes. I am finding the old Schwinn s equal to most all of the other makes of the period. In the end, it is the frame that matters and theirs are fine. I just finished modernizing a Schwinn Sierra with a black chrome frame and it came out beautiful. Schwinn made sooo many different models there were bound to be the good, the bad, and the ugly, and some that were just weird, like the one with the front freewheel.
#36
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1. Centurion Ironman, Elite RS and Lemans RS: performance for the price.
2. Those mid-80s Schwinns, for sure, Tempo comes to mind, but Prologue, Peloton, Circuit. Just never got the cred...
3. The Raleigh "Racing USA" series, for beauty and solid quality.
4. The Schwinn PDG Series Paramounts and the Schwinn "number series" Aluminums. Deceptively good.
5. Early Trek lugged steels were kind of overshadowed by others until Trek became the monstrosity it now is.
Schwinn sort of got dumped on from about 1985 through the Aluminums.
Paramount elitists with inferiority complexes panned them left and right, aided by the cycling press and the Italian elitists, as well.
2. Those mid-80s Schwinns, for sure, Tempo comes to mind, but Prologue, Peloton, Circuit. Just never got the cred...
3. The Raleigh "Racing USA" series, for beauty and solid quality.
4. The Schwinn PDG Series Paramounts and the Schwinn "number series" Aluminums. Deceptively good.
5. Early Trek lugged steels were kind of overshadowed by others until Trek became the monstrosity it now is.
Schwinn sort of got dumped on from about 1985 through the Aluminums.
Paramount elitists with inferiority complexes panned them left and right, aided by the cycling press and the Italian elitists, as well.
This thing is a rocket and climbs much better than it should for it's weight.
This aluminum Schwinn was a cheap local buy on a whim. Didn't expect much from it yet it's also quite a good ride and look beautiful. My son has it but I want it back, LOL!
Not a harsh ride at all even though I was expecting it to be.
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Steel is real...and comfy.
Steel is real...and comfy.
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#37
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#38
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1970's Windsor Profesionals.
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#39
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I agree on the under-rating, but comparing a production bike to what the pros were riding; the appearance is about the only corresponding thing. Perhaps Sean's bikes were off the rack, which would have been very unusual, given the stakes involved with any rider racing at that level. There are subtle differences almost every time, all with good reason, in both the frames they were riding and the components on those frames. Sponsor logos were present, but nearly every OEM bolt and nut was replaced if there was anything better available, and cost was not much of a deterrence for a 12-bike lineup. You simply don't race for that kind of money on what any rider can walk in and buy retail. Grams and watts add up over long races; every advantage is sought.
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Modern wheels, components, etc. His fellow athletes thought it was carbon and he never corrected them.
#43
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Four of my favs, all just happen to be mid-late-'80s Schwinns 2 Paramounts and 2 Tenex frames!!
'86 Prelude
'86 Paramount
'85 Le Tour Luxe
'89 Paramount
'86 Prelude
'86 Paramount
'85 Le Tour Luxe
'89 Paramount
#44
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Univega never really became one of “those” bikes that people really sought after. But they were actually well made.
I have to confess that back in the 80’s I thought Univega was a Japanese brand that wasn’t quite at the same level as some other Japanese bikes, like Bridgestone or Panasonic.
But my wife still has her 1986 Viva Sport that she rides with a flat bar.
John
I have to confess that back in the 80’s I thought Univega was a Japanese brand that wasn’t quite at the same level as some other Japanese bikes, like Bridgestone or Panasonic.
But my wife still has her 1986 Viva Sport that she rides with a flat bar.
John
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#45
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I agree on the under-rating, but comparing a production bike to what the pros were riding; the appearance is about the only corresponding thing. Perhaps Sean's bikes were off the rack, which would have been very unusual, given the stakes involved with any rider racing at that level. There are subtle differences almost every time, all with good reason, in both the frames they were riding and the components on those frames. Sponsor logos were present, but nearly every OEM bolt and nut was replaced if there was anything better available, and cost was not much of a deterrence for a 12-bike lineup. You simply don't race for that kind of money on what any rider can walk in and buy retail. Grams and watts add up over long races; every advantage is sought.
I know it was as you say the majority of the time, but it is unlikely that the industrial process of building Vitus 979 frames could have been applied to one-offs in the same way steel framebuilders often did for high-level competition. Tubes had to be formed to a female taper using rollers, heat-treated, anodized, and etched, before being bonded in a special jig. Castings joining those tubes could have been specially lightened or the "best" ones hand-selected from large batches beforehand, but the scope of this is limited. Variations in the parts necessitate variations in the tooling: to make the tubes and castings, and possibly to join them as well.
Furthermore, the art of joining an aluminum bicycle frame with tapered joints and epoxy was only patented in 1978, and Sean Kelly had the points classification in the TDF on one by '82. There wasn't much time for engineers to go after marginal gains in this novel system. Certainly they could have tried, but I don't think they would have come up with anything noticeable. I'm sure they were tearing their hair out just to make it work and not come apart. According to this video from the CNRS (centre national de la recherche scientifique), from 1983, destructive testing was still being conducted at that time, and chemical treatments investigated.
I'm not suggesting he didn't have a titanium or other alloy bolt or nut here or there, or some drilled-out tubular rims changed after every stage, or superleggero bearing balls, but based on what I know about industry, I think it would be hard to make a custom Vitus 979 frame, or even use some "special" race tubing to any effect, especially on such short time scale. An off-the-rack Vitus 979 stands a better chance of being what the pros rode - or at least very close to it - than its steel competitors.
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Owner & co-founder, Cycles René Hubris. Unfortunately attaching questionable braze-ons to perfectly good frames since about 2015. With style.
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#46
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Medici.....
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72 Line Seeker
83 Davidson Signature
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84 Peugeot PY10FC
84 Gitane Tour de France.
85 Vitus Plus Carbone 7
86 ALAN Record Carbonio
86 Medici Aerodynamic (Project)
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#47
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Univega never really became one of “those” bikes that people really sought after. But they were actually well made.
I have to confess that back in the 80’s I thought Univega was a Japanese brand that wasn’t quite at the same level as some other Japanese bikes, like Bridgestone or Panasonic.
But my wife still has her 1986 Viva Sport that she rides with a flat bar.
John
I have to confess that back in the 80’s I thought Univega was a Japanese brand that wasn’t quite at the same level as some other Japanese bikes, like Bridgestone or Panasonic.
But my wife still has her 1986 Viva Sport that she rides with a flat bar.
John
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#49
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