How To Photograph A Bike
#26
don't try this at home.
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The older photo posts on BF are slowly bit-rotting away as links break.
Some of 55/Rad's photo postings are still working.
Orbea Orca thread from 2008:



From the interesting Chrome-a-rama thread, 2006, a chrome Pinarello:

Here's the studio setup he used, after hours. Professional lighting.
Some of 55/Rad's photo postings are still working.
Orbea Orca thread from 2008:



From the interesting Chrome-a-rama thread, 2006, a chrome Pinarello:

Here's the studio setup he used, after hours. Professional lighting.

#27
Vain, But Lacking Talent
But I need to go and do this for my bike I posted in the MTB dropcar conversion thread. I only took one quick shot of the finished project and it's a wide angle looking down, so it's all out of proportion. Doesn't give a proper display of the build.
And of course timing the light is helpful. The old "magic hour" photographer's trick of dusk or dawn lighting to avoid harsh shadows. That or a cloudy day.
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Steve in Peoria
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this is a different category of photography. it's a beautiful photo, but it doesn't provide the detail of the bike we're looking for.
this is the kind of photo you might frame as opposed to using as the primary photo in a catalogue, advert, or bf post to highlight the build details.
this is the kind of photo you might frame as opposed to using as the primary photo in a catalogue, advert, or bf post to highlight the build details.
#30
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https://www.bikeforums.net/classic-vi...fect-shot.html
but sometimes the setting suits

I used this as it was less can be more, and the setting seemed right.
the build details had already been fully described
but sometimes the setting suits

I used this as it was less can be more, and the setting seemed right.
the build details had already been fully described
Last edited by Big Block; 05-25-16 at 03:17 PM.
#31
don't try this at home.
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More 55/Rad.
I found these with Google Image Search: site:bikeforums.net 55/rad and with more words like "studio"
~~~
Another good thread: C&V Italian Stallions ! 2008.
including

From road cycling Starting the OFFICIAL Steel club thread, 2006. Some of these are getting to be vintage.
Outdoors.
I found these with Google Image Search: site:bikeforums.net 55/rad and with more words like "studio"
~~~
Another good thread: C&V Italian Stallions ! 2008.
including

From road cycling Starting the OFFICIAL Steel club thread, 2006. Some of these are getting to be vintage.
Outdoors.

Last edited by rm -rf; 05-25-16 at 03:14 PM.
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On a recent cloudy day, I took a few pics of one of my bikes. I like the background in general for the diffuse light and natural setting, but the colors really seemed to work out well for this bike...

As mentioned before, some detail shots with the background out of focus help a lot too...

I'll add that if you take photos in the shade or on a cloudy day, change the camera's white balance setting to match.
Steve in Peoria

As mentioned before, some detail shots with the background out of focus help a lot too...

I'll add that if you take photos in the shade or on a cloudy day, change the camera's white balance setting to match.
Steve in Peoria
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definitely imaginitive. but they're more about the background than the bike. and one breaks the number one rule of displaying the drive side. so, they're a different kind of photography.
i do like this one a lot, and i think it gets everything we're striving for mostly right.
i do like this one a lot, and i think it gets everything we're striving for mostly right.

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When you take garage door shots don't lean the bike so the handlebar and rear wheel touch the door. Stand the bike up so both wheels are parallel to the door and lent it against the handlebar.
Valve stem behind fork/rear stay, big/small, crank arm lined up with seat tube.
Valve stem behind fork/rear stay, big/small, crank arm lined up with seat tube.
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When selling a bike, there is a lot of value to having the camera perpendicular to the plane of the frame, so as to keep everything the same distance from the camera and thereby keeping everything at the same scale and minimizing distortion... and I'm not sure that I'm using the correct terms... rats.
It also helps to use a long lens, both to keep the whole bike at the same relative distance from the camera, and to help put the background out of focus. This is where it helps to have a telephoto lens with a wide aperture.
here's another shot (of a different bike) with a pleasantly out of focus background...

and someone mentioned action shots?
This is more for general photography, but might provide a nice change of perspective for a potential buyer too...

to really impress someone, do it while riding no-hands on the rollers.

but seriously... find a quiet road, and do it early (or late) in the day to get the good cross lighting.
Steve in Peoria
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Originally Posted by steelbikeguy
It also helps to use a long lens, both to keep the whole bike at the same relative distance from the camera, and to help put the background out of focus.
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I try to get pics of all my bikes in the same position but have been working on other shots. I do that same pose for posterity. I got really good at Jeep action shots and outdoor shots but have a long way to go on bikes.
I took this because the bridge for the track had 1908 on it and I thought the tracks take you back as the old bike does. Just a test.

This one was I screwed up but didn't realize until I got home. I did a standard documenting type shot in the outdoors and there was water behind and I missed
was trying to contrast the bright blue vs orange.

I have taken many pics without the bike looking for places and trying to get better. Recently I did the trip into town that has about 10 underpasses for the roads. I hope to make use of this. There is also great water and mountains but my phone does not cut it.
I took this because the bridge for the track had 1908 on it and I thought the tracks take you back as the old bike does. Just a test.

This one was I screwed up but didn't realize until I got home. I did a standard documenting type shot in the outdoors and there was water behind and I missed


I have taken many pics without the bike looking for places and trying to get better. Recently I did the trip into town that has about 10 underpasses for the roads. I hope to make use of this. There is also great water and mountains but my phone does not cut it.

Last edited by Bikerider007; 05-25-16 at 06:15 PM.
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I really like the shots taken from the right rear position like the Masi above. Does anybody have thoughts on bottle cages..empty, loaded, or removed?
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Uggghhh
I think I break all the rules.

The pedal can be handy with propping up the bike.
And, depending on one's ultimate goal, it can be as much about the background as the foreground.
I think I break all the rules.

The pedal can be handy with propping up the bike.
And, depending on one's ultimate goal, it can be as much about the background as the foreground.
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that's how i started out, as shown here with this '84 club fuji taken under a train bridge:

i thought it brought more action to the photo. (in art, diagonal lines represent 'action.')
but now i align the arms horizontally, with the drive side arm pointed forward. i think the bike looks much more natural this way.

i thought it brought more action to the photo. (in art, diagonal lines represent 'action.')
but now i align the arms horizontally, with the drive side arm pointed forward. i think the bike looks much more natural this way.
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I'm big on cropping (which is why my original pic still bugs me!), and in particular I like to center my bike in the photo if I'm doing a full-bike shot. Of course, cutting off any of the bike in a full-bike shot seems to be counterproductive and a big no-no. Obviously this wouldn't apply to close-up, detail photography.
However, I don't think too much about composition and the like every time I photograph my bike, but when I do...
Thanks for everyone's input so far, particularly about the depth of field stuff. I figured that might be something beyond the ability of my cameras

DD
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Originally Posted by cliffordk
I think I break all the rules.
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I suppose it depends on what your ultimate goal is. Selling the bike?
I think my bikes just like going Left

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I also note that a long-ish lens was used. As with portraits of people, I do think that using at least a moderately long lens helps. In addition to minimizing the distortion, it reduces the amount of distracting background.
The low point of view worked well too. I can't help but notice that there is some sort of magic going on at the bottom of the photo... how did you get your rims and tires to "melt"? I have to assume that there was some sort of thermal gradient?
Another detail that's not immediately obvious.. the light is rather diffuse, avoiding shadows and high contrast. Looks good!
Steve in Peoria
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DD
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I'm just happy to get it in focus and not chop anything off LOL.
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nds photos should be all c&vers' pet peeve. why hide the best bits? shame? it's like expectantly opening up a playboy magazine and seeing the girls wearing burqas.
i did it too when i got my first road bike as an adult. i don't know why, but it appears to be human nature to point the bike to the left. i'll guess most craigs ads reflect this.